Oru Deshathinte Katha

I have finished reading SK Pottekkatt's 'Oru deshathinte katha'(Story of a Village). Jotting down some words about it. To summarize, this is a simple story of a village called Athiranipaadam spanning about 50years narrated mostly from the point of eye of the protagonist of the story Sreedharan. Just like Gabriel Garcia Marquez’s ‘One hundred years of solitude’, SK Pottekkat has created a world out of thin air through this novel consisting of innumerous characters entering and leaving its frame. Story starts with Sreedharan returning to the village he left 30 years ago, from there on as a flash back the story follows the birth of the village Athiranipadam and ends with its death (and a re-birth).

The book could be classified as a autobiographical, dramatic, humorous, tragic, adventurous, romantic, poetic piece of fiction. It is filled with short stories in the form of fables, real incidents, memoirs, history, flash-backs and rumors about all the colorful characters of that village, everyone well connected to the flow of the novel. The characters are very real and there would be someone whom you could always relate to . Their little adventures, romance, fights and grief is what this novel is all about. These stories would ultimately they leave some marks in our hearts, good or bad.

It is a period novel set in pre-independence Kerala and hence the story touches through the Feudalistic culture, incidents like Moplah rebellion, revolutions like gandhian independence struggle, world wars etc. As mentioned above major part of the novel is around the life of Sreedharan, the style of narration matures as he move from his childhood to Adulthood, from his schoolboy mind to a more matured adult. His dislike of mathematics and inclination towards the literatures and poetry later flowers into some fine poems through the novel.

Memories are tastier than imagination. This novel has that taste of memories. Like MT says in Kaadhikante Panippura ‘Stories are the unspeakable pain of writer’s heart’, as SK lets the memories flow out of him through his pen he lets those suppressed emotions also fill into the words. The episodes of Sreedharan’s childhood adventures, ‘Supper Sarkeet’ gang, Krishnanmaster, the Railway signal control room, Kunjappoo’s life, the Kunjikelu Melan’s contemptuous life, Kuloose Parangodan, Ammukutty etc vividly creates an Athiranipadam of imagination in the mind and at the end you will feel that so long you have been living in that village along with all these people.

Written in a very simple and colloquial language, it is a must read!

The Hunger

On the wake of Anna Hazare’s Hunger strike, I happened to see a movie on another hunger striker, Bobby Sands. "Hunger", directed by Steve McQueen, depicts a real life story of IRA revolutionary Bobby Sands as he, along with other prison inmates, goes on indefinite hunger strike to protest against the English occupation of Northern Ireland and the denial to give political status to the IRA prisoners. The movie covers the days of “blanket and no wash” protest and the subsequent indefinite hunger strike. The hunger strike and subsequent death of 9 prisoners including Bobby Sands lead to a worldwide protest and condemnation of Margaret Thatcher’s policies and lead to a new wave of Irish nationalism.

 

The main theme of the movie is still Hunger, which is also metaphorically used as hunger for freedom. The movie explores the psychology behind the human will power to fight against the needs of his own body. With very little, and hard hitting, dialogues, the movie is slow and unnerving as it passes through the silent harrowing moments. As said, the monotony of solitary confinements doesn't spare the viewers as well. In the movie “Fight Club”, there is a dialogue which runs as “How do you know yourself if you have not got yourself into a fight”. In that movie, it shows the fight against one’s own body lead to a strange sense of liberation.  I believe same works out for hunger strikers, mainly because that becomes the ultimate weapon he/she can use to demonstrate their protests.  I somehow feel that such defiance increases the courage to continue, which is probably what encourages them to push their limits further. There are people who have attempted violent suicides, hoping for a painless quick death. Then there are people like this, deterministic on the slow death unwavering from their position despite being self aware of the state.

 

There is an interesting conversation between Bobby Sands and the Father Dominic Moran, who was called in to dissuade him from the strike. That scene, about 20 mins long, was shot in a single go, and comes up suddenly after an hour or so without any dialogues.   Michael Fassbender, who plays the role of Bobby Sands, went through a crash diet for the final part of the movie. The painful final minutes were indeed well enacted and picturised. The movie never tries to take sides. There is a scene where an IRA man comes and shoots a police man, in cold blood, inside an old age home when the policeman was talking to his aged mother, in front of her. It also tries to look at the conditions of policemen and wardens of the prison and how life becomes unsettling amidst riots and death threats.

 

After the success of various hunger strikes this has apparently become a favourite tool against establishments. Many bogus hunger strikers have emerged in political circle. Though many hunger strikes assumes the cloak of non-violence, there are always a threat of unprecedented violence on the event of the death of the striker. LTTE leader Thileepan, when IPKF was brought in, went ahead with a hunger strike. He thought India was still Gandhian and would consider his peaceful protests. But IPKF stayed and Thileepan died after 86 days. And we all know how they had started the plan to assassinate Rajiv Gandhi that moment and where it all ended. Similar thing happened since the death of Potti Sriramulu. That exactly would have happened, had GOI allowed Anna Hazare to fast until death. And that is what makes it a blackmailing act, which may or may not be an intention of the striker but definitely looms as a tipping point for an avalanche of human sentiments. That makes hunger strike a potentially violent act.

 

PS. Bobby Sands was elected to British parliament when he was doing hunger strike in the prison. Iranian government changed the name of ‘Winston Churchill Boulevard’ where British Embassy stood to Bobby Sands street. British embassy changed their entrance to adjacent street to avoid using Bobby Sand’s name in their address!

What is it with corruption

What is it with the protests against corruption that attracts much people, that protests on other crimes do not? Irom Sharmila had been fasting unto death for repealing the Arms force special act from Manipur. Medha Patkar had been doing various protests for long, for Narmada bachao andolan, recently against the eviction of a slum for some new building. But none of the above stuffs managed to gather any significant public support as the fight against corruption did – considering the fact that the corruption in various forms has become a part of daily life of individuals! Every employed/unemployed lower/middle/upper class would definitely have had their brush with some or the other forms of corruption. Giving bribe to get something done quickly, or maybe a traffic policeman or quoting wrong figure in the land/building registration paper. Still why are people against corruption?

Money is a big factor for all the classes, especially the middle class for whom tax is nothing less of an enemy. Nobody wholeheartedly love paying tax. It would be surprising to find people giving away tax with pleasure and a smile just because this money funds some state school or subsidize the vegetables. And there wouldn’t be anyone who have tried all sorts of schemes and techniques to save the tax. Now, despite of all the efforts we sometimes have to pay some money every month as tax. It is this piece of heart that is flowing into the pockets of certain set of people (that probably deserves only despise), explaining why corruption is such a painful thing for middle class. This explains why a dam, invading the home of a lakh farmers, or Arms force special act, curbing someone’s rights, is not much of a concern to the wider public. This also explains why the public is adamant over political corruption which according to me covers only a small percentage of the total corruption. The amount of corporate tax evasion using existing loopholes, buying out the officials or making policies convenient to them, is a much bigger territory.



I was reading an article about the tax havens, tax evasion and corporate and government’s role in it. First of all, these Tax havens and other lucrative techniques were not built by politicians nor are they built for them. They probably do hold sufficient money in many lucrative banks but that just comes to a very insignificant(for the country?, oh no!) percentage. Most of the major transactions pass through tax havens, the report says. On top of that the misquoting of taxable and non-taxable items helps evade tax better. Every year approximately 5 lakh crore rupees of corporate tax are being written off in this country and to me that is nothing short of 5 lakh crore worth a scam! The black money, tax evasion etc are some the business as usual for corporate and hence day dreaming that routing out corrupt politicians would end corruption is just futile because they are just middle men in this whole drama.



Today’s newspaper showed how RIL had been goofing the treasury department by quoting over hyped rate over the Krishna Godavari natural gas extraction and supply. The claims, that the license-raj devil can be wiped out by liberalization, proves to be just a lame tirade of the investors lobby. On the contrary what we are witnessing is pure puppetry. Just like how various corporate lobbys, pulling the strings of US policies, have shown how dependent corporates are on policy and law makers, every corporate house expects a corrupt government to be in place so that their monopolist intentions be well managed. We witnessed several high adrenalin protests against the politicians on 2G scam. The investigation reports did mention their names so they rightly deserves chappals and eggs, but the reports also mentioned the names of Reliance, Tata, Uninor and many well known corporate houses. Forget about high decibel cries, did we hear any word being spoken about these big shots in media or any other social gatherings or sites or forums? It could be imagined that Raja wouldn’t have sent out an email to all these chaps asking whether they want some spectrum. In the corporate world politicians are merely agents who gets things done for them, just like a middleman. If these middle men deserves stones and sticks, their employers deserves much more.



Imagine, if Anna Hazare asks the protesters to sell all the Reliance or Tata shares that they are holding, to protest against their corruption, how many of the corruption fighters would be ready for that? What are the chances that Anna Hazare gets tagged as a joker or something like that? Some might want to argue that, as they bring ‘development’ and all that nonsense, it is ok. So should this be interpreted as – I am ok for corruption as long as I am getting a cut out of it? My question is, whom should I slap first? :).

George Orwell & Animal Farm

In my opinion, nothing has contributed so much to the corruption of the original idea of socialism as the belief that Russia is a socialist country and that every act of its rulers must be excused, if not imitated. And so for the last ten years, I have been convinced that the destruction of the Soviet myth was essential if we wanted a revival of the socialist movement.

- Preface to the Ukrainian edition of Animal Farm, as published in The Collected Essays, Journalism, and Letters of George Orwell : As I please, 1943-1945 (1968)

 

It was only recently that I picked up the Animal Farm from the library, for reading. I had read two of his auto-biographical works ‘Homage to Catalonia’ and ‘Down and out in Paris and London’ and had ever been glued onto the Orwellian perspectives. Animal Farm is, as anybody would know, one of his most popular satire based on the Soviet union during the Stalin’s rule. As much the story is, interesting were the introduction and several prefaces that had been compiled over the book. And as the literary critics claim, this had been one of the daring satire on Soviet Union and highly misinterpreted book much to the sake of the cold war propaganda machines, which in fact contributed to its immense popularity.

 

George Orwell, born in Calcutta, left for England for schooling to come back later to Burma to join the Indian Imperial police. Having witnessed the ruthlessness of imperial police force he quits the job and leaves for England to concentrate on literary activities. Like many writers and poets did in those days, to free themselves from bourgeoisie culture, he decided to lead a ‘Bohemian’ lifestyle in a Parisian working class suburb in a tiny uncleaned room infested with bed bugs. He later spends a similar life style with the tramps of London. His Down and out in Paris and London comes from those adventures.  He later travels to Catalonia to fight along with Anarchists (Trotskyites), against Franco’s fascist forces during which he gets shot through his throat. His Homage to Catalonia accounts his adventures on the war front, commentary on the sophistications of a subaltern’s army and the betrayal of the Soviet supported allied troupe. In between the war, the idea of permanent revolution and the war of independence locked the horns of the Trotskyites and the Stalinists. Orwell believed in a socialism that promoted human freedom and a classless society which he found in Barcelona when it was under the control of the anarchists. Waiters never accepted tips, none address each others as senors or senoritas – they were all comrades. But then the Stalinists, who had been supported by the soviet union, wanted to postpone the revolution for the sake of war against the Franco, which they argued couldn’t go hand in hand as Trotskyites claimed. This later took an ugly turn when the Stalinists captured the Anarchists buildings leading to an internal crisis and bloodshed which ended in the persecution of the Trotskyites as traitors. The Stalinists were much ably equipped with arms compared to the Trotskyites, latter only armed with rifles that either explode when fired or are always jammed. Orwell though manages to escape the persecution, had to witness all his comrades getting captured and ‘disappear’. 

 

Europe, at that time was heavily influenced by the success of Russian revolution. It was, since the failure of Paris Commune, the proletariat government coming to existence breaking the cynicism of the right-wing world. The intellectuals, workers, peasants were all in the move to change the face of Europe. Labour parties and new leftist movements erupted throughout the world since then. Orwell after compilation of the Homage to Catalonia found it difficult to get the book published, which was then picked up by a pro-Trotskyites publishing company which gave much negative publicity to the book as it was conveniently made to believe a Trotskyite propaganda behind it. The idea of Animal Farm must have been in his mind ever since that incident. Orwell was surprised at the silence Britain was having against incorrect propagandas of the Soviet Union and on its contrary censorship move against any anti-soviet union literature. It was a situation where a criticism against Britain is tolerated while a criticism against Soviet union was not. He was annoyed that when the British press did wrote in detail about the famine in Bengal, they chose not to report the famine in Ukraine.  The Soviet Union, at the meantime, was improving ties with European nations through the workers union and intellectual circles which were having tremendous influence in the political arena as it would prove in later years at the emergence of socialist parties in Europe. Hence, after he compiled the Animal Farm there was no publisher ready to pick the work out of a fear of displeasure from the government. He quotes, the left leaning publishers were blind and wished to stay so while the right-wing publishers shied away quoting excuses like unavailability of paper and representing the head of the Animal Farm a pig. The only publishing company that came forward was the same Trotskyite leaning Secker and Warburg who published his Homage to Catalonia. Both the author and publisher was aware that this work might get criticized as a usual Trotskyite, anti-Stalinist literature hence that book was, after several delays, published post war as Animal Farm: A fairy tale.

 

This was, thus, initially promoted as a children’s book, much to Orwell’s annoyance. And since the end of World war and the beginning of the cold war, this book rose to immense popularity due to its childlike narration of history of modern Russia. As mentioned earlier, much to the irony of the original theme, this was then set to become part of the propaganda machines of capitalist block during the cold war, primarily United states. The prefaces of the American editions were largely botched, trying to convey that Orwell was actually writing against Socialism. Much of Ronald Reagan’s propaganda videos tried to replicate the imagery created by Orwell’s Animal Farm. An abridged version was later included as part of the children’s curriculum in schools as a lesson on the evils of socialism. It became a household name for utopian socialist society. Naturally the book was banned in all the soviet bloc’s as well as the countries on soviet alliance adding value to the myth. Though the original title had ‘A fairy tale’ written on it, that was taken out by many publishing companies later so that people don’t ignore it as a children’s book. Several right winged book reviews generously praised Orwell for his anti-communist intellect. Some even argued that this book received much acclaim purely due to its utility during the cold war time.

 

Much to the polarized state of the world during cold war period, a critical study of his work was not widely taken up due to its political influence. Interestingly it was children who alone took the book in its right sense. When spoke to some children, what they understood from the story was simply right, what Orwell wanted to say. The children spoke that they supported the animal farm when they overthrew the Mr. Jones as Mr. Jones was abusive and treated animals badly, while later, was saddened by how evil animals like the Pigs cheated and killed good animals like the horses, for power. There were many critics who question the usage of Animals taking control of the farm from Humans, as it portrays an unrealistic takeover. This picture was again used to convey a futility of a socialist system that it is inherently unstable. The true failure had nothing to do with the animals taking over the farm. In fact the story did proceed with the initial success of their farm through equality and hard work. Orwell states in his prefaces that his intention was not to project the takeover of farm by animals as a futile move but rather pin point the corruptibility  of power, that lead to the ultimate betrayal of the revolution. Looking at his writings and his accounts on days with anarchists, he probably favoured a liberal socialism with an inclination towards anarchism, out of his distrust on any ‘ruling’ system or ‘big brother’ susceptible to corruption (expressed in 1984).

Behind the Breaking news.

The prominence of media in the pseudo-democratic society like India is not under-rated, with most number of newspapers and news channels in several languages frantic on a pursuit to let the people know of the latest hot news. Media, being the fourth estate of a nation, has played its part for keeping up that little bit of democracy it could. At the same time it is challenged by the upper hand of the politics waging secret war against the true journalism. One of the great things that happened in the recent years must be the Rights to Information act rolled out by UPA I. Though now they are realizing the sting of its bite, and is working towards restricting its range, it brought the public closer to the wynds of journalism. Interestingly Journalism is getting crony, while the new age whistle blowers and RTE activists try to fill that gap, often leading into their persecution and even assassination, as we witnessed in last few years. 

I happened to read a fabulous book called 'Breaking the big story: Great moments in Indian Journalism' where nine journalists accounts their moments of adventure, fear, joy and despair while bringing some of the news that shook the pillars of this country. Many of them have been forgotten by the public even when the aftershocks of the buried lies continue to the rock the belligerents’ bases even today. Ever after the advent of 24x7 channels, the public have been mislead to believe that Prannoy Roy, Barkha dutt, Rajdeep Sardesai  and many other figures scurrying over the already reported news with their verbal circus constitute the fraternity of Journalists. And the public seldom delve beyond those smokescreens to get to know the actual reporters and the effort and pain they have put to bring the scams, scandals, truths and lies through grass root level reporting. This book doesn't simply stagnate at the stories as such, but also reveals the adventurous and dangerous culture of journalism.

The book is edited by the eminent media analyst and statesman B.G.Verghese. He gives the introduction to the book passing through the prominance of media in the democratic society like India and how the democracy itself got strengthened and at the same time challenged by the secret war between the true journalism and politics. As he emphasised the need to report a news from all the sides as opposed to the one-sided reporting which he believes is caused by the 24 hour news broadcast trend that is depriving the journalists the liberty to report the right news. While he pointed out the relevence of Rights to Information act passed by the UPA govt as landmark in terms of making the system transparent for the public and at the same time, ironically though, he was emphasizing on certain restrictions in RTE. He treats it diplomatically by appreciating the impact of RTE and at the same time mildly raising the apprehensions of information leak. I couldn't agree with that part though, as any legislation brought towards restrictions in RTE would end up eating the whole thing up, unless judiciary intervenes, which will be an unnecessarily laborious task in India.

The stories covered are - Bhopal MIC tragedy by Raajkumar Keswani, The starvation deaths of Kashipur by Sampad Mahapatra, the Nelli massacre by Sanjoy Hazarika, Tamil genocide in SL by Anita Pratap, the post militant political Kashmir by Muzamil Jaleel, match-fixing scandal in Cricket by Pradeep Magazine, Bofors scandal by Chitra Subramaniam, Tehelka sting operation by Tarun Tejpal and finally on the Gujarat communal violence by Teesta Setalvad. The authors of each chapters tells it from the beginning of their involvement, how they got the tip, ravelled each piece of jigsaw, brought the story into public, were accepted by public, hunted and harassed down by the wielders of power and their lives impacted by these work.

Book starts with the account of Raajkumar keswani, a small time reporter from Bhopal who had been reporting about the potential danger of the union carbide plant in the village ever since it was installed. Even before the final disaster, he accounts, there had been small leakages and minor industrial disasters that had claimed the lives of many workers. Despite of the safety and standards audit showing dismal performance by the company, the government never bothered to investigate the news reports he published. Until the disaster struck, none of the news papers, except Indian express in a single occasion, bothered to throw some light on it. I wonder how many such news reports are getting overlooked or purposefully downplayed in this country, waiting for the tragedy to happen. Jaitapur Nuclear plant, Mullaperiyar dam, how many more? The massacre at Nelli was no different. The illegal immigration from Bangladesh, and gross social unrest that were perpetually downplayed by the government and equally ignored by national media ultimately culminated in a gruesome massacre of Bangladeshi immigrants in Nelli village in Assam.

Chitra Subramaniam's and Anita Pratap's accounts had many similarities; they are the 2 women who brought much trouble to Rajiv Gandhi. One in the form of Bofors scandal whiles the other on the Tamil massacre and about subsequent involvements of IPKF into this trouble.  She being one of the few journalists who had been into the war front news correspondence early in the times of print and radio journalism, tells about her rub-off with the defence and intelligence officials despite whose hurdles she was able to bring eye-witness accounts of civil war in Srilanka, which in fact boosted the morale of the Army. When the passion of journalism creeps into the blood it eclipses everything, even the family, says Chitra subramanian. But as all the fights against a powerful system are destined, both of them had to finally quit although she pursued it even after The Hindu took the story off its shelf following political pressure. And after the assassination of Rajiv Gandhi, to their dismay, the investigation went into total oblivion.

In a civil society which is not transparent yet, I personally believe that, the people in power should never be given any benefit of doubt. Looking the balance of power, there is hardly any place in this country where we can say that, here people are in power and not politicians. In such a place, a good journalist would be the one who is a thorn in the velvet cushion of the powerful. The big news is big only because it shakes the establishments of power. Such a government having sold itself off to the private parties tries to play off a mean game against a village that is reluctant to give way to a mine in Orissa. When several villagers in Kashipur died, the village officials decided to write it off as food poisoning, which was in fact a food poisoning induced by un-availability of food. Sampad Mahapatra got involved in the investigations that told a simple fact that, in the time of dire situations humans try to find something to hang on. And these villagers, having been denied their rightful share of ration, had been pushed to a state where they had to consume contaminated dried mango kernels and wild mushroom. The government still stands by their claim that it was a mere food poisoning, and consuming mango kernels was their tradition.

The thin line between an investigator and reporter, between activist and reporter is tested in many such cases. I cannot deny that even when I am typing this, there is someone scheming about some crime of wide social consequences. Plenty of things happening around, often under our noses or about something which is outright guessable, like the illegal mining, encroachments, land mafias, defence lobbying. A true investigative reporter should be able smell those trouble, says Chitra, which was what she had been looking out in the multimillion deal that was being signed between the Swedish arms giant Bofors and GOI. It is the same sixth senses that lead Tarun Tejpal to initiate his Operation west-end that trapped money hungry politicians and army officers in sting operation. Pradeep Magazine's scoop came out through a casual talk with a bookie in West Indies which prompted him to disguise himself as someone close to the cricketers. His adventure ended up in exposing one of the biggest match fixing scandals that rocked the trust of millions on the game of cricket.

Jaleel's account on Kashmir talks about how, as a journalist, his credibility was tested in Kashmir as caught between devil and deep sea. If a journalist writes about atrocities of Kashmiri militancy he would be declared as pro-GOI and would end up becoming a target for separatists, whereas if he writes about army atrocities the GOI would declare him as pro-separatist and could end up in censoring his articles. Being a territory of where a sane journalist would never want to stay, he managed to survive and had been successful in gaining access to the areas which had been barred for other journalists. He accounts for how many journalists have been targeted in Kashmir, as he says Army takes it away in day time and militants takes it away at night. He isn't sure how long he can survive in a place of least press freedom and high volatility without losing the trust of either side.

Beyond the stories, it also tells how these impacted them personally. Anita pratap talks about how RAW agents were advised to threaten her by kidnapping her son, if she did not reveal the names of her sources of leaked news.  Chitra Subramaniam speaks of how terrified her husband and in-laws was when she was making calls to the sting agents in sweden, on Bofors issue, two days after the delivery of her first child, from the hospital bed! And Tarun Tejpal recounts the tense moments of Samuel Mathews and Anirudh Bahl and their laborious editing phase and the period of dark clouds when Tehelka was destroyed from the arena. Teesta Setlevad's account on post-godhra riot had the flavour of human rights activism more than journalism. Her’s were the account of how a state deliberately tried all it could to let the rioters have a carnage for days. The reluctant hospitals, who denied treatment to wounded, unbothered police force and the ordeals in bringing the guilty in front of justice, are accounted in the final chapters.  

Often the journalism has come under the scanner of being biased, this stigma still holds true in all the major media houses. They often end up as mere mouthpieces of either the political parties or corporate. Hence the biggest challenge a journalist face would be to get the facts sorted out from all the parties. Taking the case of the Maoists insurgency or the Kashmir issue, only a few media did cover the news from all perspectives. The new age of 24x7 news channels has failed in this case, mainly because of the competition to report something before the rival channel. They invariably end up with the most easily accessible sources, like the police or army or political spokespersons for news, editors then sensationalize it and that comes as breaking news they are not patient enough to get the complete picture leading to bias in the report, which they hide skilfully with their diplomatic statements. Another problem with the 24x7 channels is that the shelf-life of a news item is very less. News of importance loses its temper after few days or until another breaking news surfaces. Ultimately this TRP hunter ends up more as a bane rather than becoming a boon! So, while the TRP hunters are on their spree, all we can do is to trust those unknown faces that are on prowl at the backyards of the society to unveil the veiled.

Travelling south Asian film festival @ NGMA

Travelling south Asian film festival had been going around in the National gallery of Modern art in Bangalore for few weekends. This festival features some of the documentary from different parts of south Asia involving travelling and culture. I managed to attend three screenings last weekend, three totally different subjects.

Come to My Country: Journeys with Kabir and Friends: This was the documentary of three people, one is Prahladji, a teacher from Malwa district in MP, whose passion lies in travelling around with this troupe and his tambourine, and singing the Kabir songs in various gatherings; the second is Linda Hess a scholar who is teaching Kabir’s poems and songs in Stanford University for humanities students and the third is the director herself, Shabnam Virmani. First half is basically about the life of Prahladji and Linda. At times the documentary seemed to go overboard with spirituality and all those hoo-ha about Indian culture, but it soon gets back into the mainstream of Kabir songs. Linda Hess was at times boring! Prahaladji and his wife were wonderful simple individuals, very innocent, frank and witty. I loved their part .They journey together from their individual worlds to various places in search of friends of Kabir. On their way to and inside Banaras and later US, they meet many ‘fans’ of Kabir, including crooked saints and spends the time singing and contemplating the verses of Kabir discussing social issues prevailing in various parts of the country and world. Their discussions and disagreements over various aspects were very interesting. And Kabir’s poems are like arrows.

Saamam: This was a Malayalam documentary by Ramachandran K about MDR (MD Ramanathan), a carnatic musician and vocalist who used to sing at high octaves which is considered a very difficult thing and something which nobody often attempt. With booming voice he sings most of the recitals very slowly giving ample time for each words adding his own expressions into it. He was the disciple of Tiger Varadachariar another high octave singer whose got ‘Tiger’ attached to his name because at his high octave sound that almost turns into slow growls of a tiger! That was their uniqueness and also something that didn’t let them become popular vocalists. Many people didn’t find such high octaves pleasing to hear due to the growling gruff sound of it. But his followings and disciples are popularizing this through various mediums. Documentary featured Sanjay Subramaniam, Sreevalsan J Menon etc

The Salt Stories: This is a documentary by Lalit Vachani who takes a trip from Sabarmathi to Dandi, following Gandhiji’s path traversing through the villages where Gandhiji had halted on his way to break the salt law of British imperialism which would then ignite the non-cooperation movement. On his journey he meet various people from different human created strata of the society divided and ghettoised by caste, class and religion. It goes beyond the glossy and shining image of ‘vibrant’ Gujarat and does a profit-loss calculation of the development - How the SEZ culture is uprooting people from their villages, how the no-slum policy is mere aiming to bring down the slums without providing adequate rehabilitation to the people. He talks with many people, he met on way,- village heads, his own production controller and cameraman and some self proclaimed Gandhians who where revered elsewhere, about the slum clearance, communal riot, caste issue etc and is shocked and saddened when he finds that most of them happens to support the system and prevailing acute castes and communal despise . Some relief comes in the form of those inspiring individuals who had been fighting against the odds of the society, like the folks from Napa village which didn’t get affected by the post-Godhra violence, Ketanbhai - a progressive corporator, the salt farmer of Dandi, the people working towards the justice for forcefully evicted people and many similar individuals. It was a very poignant documentary which tried to tell what the real face of development is, which is pretty much the case of most of the upcoming states. At the end when the credits roll down, the pricking question as to what should take the priority – Social development for all or economic development for the benefit of few, lingers in the mind.

Mayomi: Mayomi was a documentary feature from Sri Lanka, showing the life of one of the Indian Ocean Tsunami victim, Mayomi's, life in the post LTTE Sri Lanka. Her husband was in navy, and was killed in a fight against LTTE and her mother died in the tsunami disaster that left many dead and thousands homeless. This feature showed how she was trying to cope up with taking care of her brother's son and her own ailing father, and at the same time struggling to get the new house allocated, as per the Tsunami relief, by roaming through the corrupt corridors of bureaucracy. To add to her troubles, her brother is a habitual offender and is another burden for her. The documentary was tad boring as it failed to evoke the true emotions of being homeless for years.

This coming weekend there are few movies being shown as part of this festival

"Raavan" - Mani Ratnam's Maoist Ramayan

Mani Ratnam has been one of the film-makers who has keenly worked on portraying certain social realism in movies that are often very relevant to that period.. His movies are often woven on layers of different themes that are encountered by the plot as it thickens. For instance, Roja was made during the dark periods of Kashmiri insurgency where behind the love story lied the harsh realities of extremism and the emotions of the perpetrators as well as the victims, while in Bombay he explored the communal riot that broke loose following the Babari Masjid issue and the possibility of triumph of humanity over communal forces. Each of these movies had a firm layer on which he casted his story. In Raavan he uses the ongoing war between law and outlaws in the dense tribal zones of this country. He tackles the story from the point of view of three characters mainly. They each represent a party in the whole drama

Characters

Dev: The civilized, ambitious police officer assigned to maintain the law and order. Doesn't realises the crimes being committed by the officers from his group. Becomes the Law that apparently created lawlessness. He is the embodiment of the power that Law allows, his actions will be deemed as legal whatsoever be the means he take.

Raagini: Legally married to Dev, leads a happy married life. She believes Dev is police, legal and good while Beera to be outlaw, illegal and bad. She never realised the atrocities committed by the police. Her realisation of what is good and bad, what is legal and illegal, who is Raam and who is Raavan is a statement to us. She, very well, represents the 'People', who attaches itself to the legal side of the world. The one who is persistent in believing what outlaw does is wrong and what law does is right. She is ill-informed about the crimes committed by state. She is the one who has to take the fire test of loyalty at the end and decide who is right and who is wrong.

Beera/Veera/Raavan: The stylish, outlaw. His war is against the law. He is the saviour of the tribal, the master of guerilla warfare. He seeks revenge against the crimes committed against the innocents in the name of law and order. He represent all the forces resisting the law.

Ramaraavanan.

The main theme of the movie was the fights between the good and the bad. Dev and Beera are the two poles, their destiny is interlinked. They doesn't change, they are how they were and wouldn't escape their definite destiny. So what is the relevance of this theme? As the movie tag lines suggest, Is there a Ram in Raavan, is there a Raavan in Ram? Who will decide which of the two are what. Raagini forms the epicenter of the movie, the movie starts with a Raagini and ends with a different one. She transforms as she comes to know about the stories at the other end. The clouds depart, sky becomes clear. Finally she was able to decide. Going back the theory, People have many pre-concieved notions about the world. We read, discuss, apply logic but finally we do come up with some presumptions on various aspects. We trust the sources to be true, but are they always true? What if the things that you believed to be true was in fact a lie? Do we always get to see things from a bird's view? Was Ram really a good person?

Tribal world

The canvas on which the movies is drawn is a tribal world in the middle of a jungle. The hostile, humid, forest and its children who had been living closely for decades or centuries. The movie brings out the beauty to its fullest thanks to the directors of photography. It shows how isolated are these cultures from the rest of the country. There is an instance When Beera's brother bring food for Ragini which she declines with a sense of disgust, is  offended and he tells her that what she just refused is what they eat everyday. They are self-sufficient, they don't want big big things, they wouldn't even know what salary is let alone cribbing over it, they don't want pizza huts or shopping malls or multiplexes. World is not enough for whom, then? Tribal zones appears to have caught the attention for past couple of years. Tribal zones of Orissa, Chattishgargh, Jharkhand, Andhra, Karnataka are all targeted by big Industrialists. Attappady tribal zone has been in their radar following the geological survey reporting the possibility of gold reserves in the hills. Numerous tribal have already been evacuated for various projects. To them it is like expelling from their country. No one bothers doing some maths to assess the gain against the loss.

Ramayana

Ramayana is one of the popular epics of India, apart from that it is considered a holy epic. Ramayana is explained to the current world with a lot of disclaimers that is enforcing the reader to keep in mind that Rama is an avatar of Vishnu and Sita is the Avatar of Bhoomidevi,  to consider anything that is explained in the text to be gods will so as to prevent any logical questioning on the illogical things. Questioning the episodes like killing of Bali, Asking Sita for purity test, Humiliation of Shoorpanekha, Forcing Sita to exile, conducting Ashwamedham to expand the kingdom etc., though seemingly ungodly, could be considered blasphemy. Such epics have only one ending Gods win, Demons loose. It is very much the same in the reality.The fight between rights and wrongs will go on till the extinction of humanity, the question is how do you decide on which side you are. Beeras will die. Law always win the war. Everything comes back to normal, except Raagini. If at all there is any meaning to all the war that should be the one word - Change.

Hovering over the technicalities and faults

Raavan was one of the outstanding movies featuring subtle use of camera and technology. Camera and the background music blends with the ethos of the environment. The movie is a treat to the eyes of those who love the greenery, water bodies and the lingering dampness of evergreen forests. Talking about the shortcomings of the movie, the editing department had to look into the abrupt usage of scissors through the flow. Most of he scenes are short, due to which the director is not able to sustain the relevance of characters between scenes. If bad editing is indeed the case then they should realise it and bring out a director's cut version when they release the dvds. Lousy casting would be the next point, Mani Ratnam should realise that his signature on the movie is well understood amongst the movie lovers. He could have employed any new face in the movie and still people would come to watch the movie with the same enthusiasm

.All in all, there is something to ponder on the back of this movie. Not the lousy love story, but something more serious.